Feb 27 2012

Transposure Featured in Profoto Blog!!

I was delighted to learn that Transposure was featured in the Profoto Blog today!

Here is the link…

Transposure Profoto Blog Post

A short while back, I participated in a telephone interview conducted by Ron Egatz of MAC Group USA  Ron asked some pointed questions and I enjoyed the conversation quite a bit.  Thank you Ron for your time, effort and patience during this process!  The article looks great!

The interview touches upon a variety of aspects of my history and my philosophies as a photographer.  Ron definitely hit the mark as to who I am and how I tick!  LOL  He mentions the variety of equipment that I have used over time and I wanted to emphasize the importance of it in the production of my photographic works.  My choices and use of the various parts and pieces that I have acquired over the years has made my life quite a bit easier in terms of realizing a photographic vision.  When the equipment becomes transparent, in the process of creation of imagery, the work getting from A to Z becomes that much easier.

As pointed out in Ron’s post, I am in the process of arranging a series of workshops for 2012 and beyond.  The workshops will be geared towards a variety of topics from off camera lighting to posing to fine art image capture.  If there are specific topics that are of interest, by all means, email your preferences to me and I will see what I can do in the planning of these.  My intent is to provide a good cross section of ‘shops to address the biggest concerns and areas of weakness.  As with my previous workshops, they will be a mix of roundtable-style educational lectures and actual shooting with followup critique.  If you are interested in a workshop, please email me for additional information and to get on the email mailing list.

I always welcome comments and would love to hear from you! Please share your thoughts about the Profoto Blog Post!

 

 

 

 

 


Oct 27 2009

From Batteries to Banter to Buddies

The dilemma…..a reliable power source for the variety of off camera flash units I use on a daily basis.

The result…..a friendship, and a few batteries….

Shooting events such as weddings can take a toll on flash batteries very quickly.  Running AA’s in the battery compartment simply don’t have the capacity to withstand long events, let alone those that require high power bursts.  So, it was off to market to find a suitable solution.  The market was the internet and reading the various photography forums I found quite a few references to an elusive product called the “Black Box”.  After more research, I finally found its maker, Mr. Al Jacobson, and his website www.aljacobs.com.  Al is the epitomy of a Mom and Pop shop , minus the Mom.  I guess that would make his company a Pop Shop.  Well, maybe that is a fitting term as his device, The Black Box, pops my flashes over, and over, and over, and over.  As a matter of fact, I have not reached its limit in any event I have shot yet!  I currently own two of them and Ang has one of his smaller units called a “Tuxedo”.  The batteries utilize lead acid technology in lieu of NiCad, NiMh or Li-Ion or Li-Polymer.  They are seemingly endless in their supply of power and they are supposed to be plugged into the charger when not in use.  No worries about overcharging here.  Set them and forget them.  That is also Al’s philosophy, KISS.  You all know what that means.  I use them for my off camera flashes.  They just work.  And that my dear friends is very, very important in this game.

So, after purchasing these batteries, I just had to go back to his site.  Why?  Well, its all about the comedy.  The banter.  The insightful world viewpoint.  At 65+ year old, I have to believe Mr. Jacobson has seen a fair share of things in this world and his satirical take on them is second to none.  In the flavor of the ubiquitous bathroom stall inscriptions “For a good read, go to www.aljacobs.com!”

Although not yet meeting face to face, I have exchanged philosophical banter with Mr. J countless times.  He always has me rolling on the floor!

Recently, during one of our conversations, I directed him to my website.  He was so enthralled, he offered to place a link on his site in a special “Featured Photographers” area.  Al tells it like it is and his endorsement of my work means a lot and I am very appreciative of that.  He had this to say……….

Kenneth P. Volpe

PPA Certified Professional Photographer

T R A N S P O S U R E

F i n e  A r t  P h o t o g r a p h y  S t u d i o

9 0 8 . 9 3 0 . 5 9 9 8

ken@transposure.com

www.transposure.com

“Words like “over the top” come close to the work that Kenneth Volpe does.  Just when you think you have seen artistry, he can and does take it to a new level.

With almost three decades under the belt, his images in a variety of venues express the artist as well as the technician.
He holds a Masters degree and surprisingly as most photographers get niched into a specific arena, not Ken, he is an explorer and delves into almost every type of photography. Portrait, Model, Fashion, Commercial and Product.

Working both studio and on location he brings new insight into this art form.  He too sees “gear” as tools just as a brush is in the hands of the painter.  But it’s the Renoir’s that hang on the walls that Sam the painter, painted. Go to his website and explore.”

I have but two words…..

Thanks Al!


Nov 18 2008

To Gear or Not To Gear, That is the Question.

So, after much research, reading and vascillation, I decided it was high time to enter the world of blogging.  I must have read at least three of four articles over the course of the last few months on the subject.  The greatest virtue expounded by the authors of said articles is the ability for web bots to log some of this and help with the location of my site when people use search engines.  In the old days, that wasn’t much of an issue, but lately, with the proliferation of flash sites, the liklihood of being found in a search has grown smaller and smaller.  So, from that standpoint alone, the whole blogging thing sounds good to me!

My background, for the uninformed, errant, vistor that stumbles across this little island of 1′s and 0′s in this great sea, is that of engineer and photographer.  I started my career as a structural engineer and climbed the proverbial corporate ladder, achieving multi-state professional engineering licensure status along the way.  I also obtained a masters degree in structural engineering at the start of the new millenium.  I currently operate my own structural engineering company as well as my own photography studio.  And that is what prompted me to be here.

Photography has always been my hobby, since I was yardstick height.  I recall the days of the Kodak Instamatic and those pesky little flashcubes….4 flashes..replace….4 flashes…replace.  LOL  Anyway, my interest grew and in time, when I was old enough to afford it, I purchased my first 35mm camera.  Wow, was that cool!  It was a Ricoh KRM something or other.  I was in my late teens at the time and I couldn’t get enough.  I saved up and bought a few lenses and shot and shot and shot.  I learned alot by doing.

I just realized I started out typing a “good evening” to the world speech and it has somehow morphed into a historical background of my careers and my camera gear.  Hmmmm….let’s see if we can bring this to a profound point in the end…..

So, as I captured many images with my SLR, digital photography started to elbow its way into the world.  Being a gadget freak, I was immediately enamored by the prospect.  Early adopter is a term that applies to those that embrace, and generally purchase, new technology before the mainstream.  That word very accurately described me back then.  I jumped head over heels into the medium and purchased my first digital camera.  At the time, phhotography was still a hobby to me, so I went with a Sony DSC-F505.  It was such a cool camera, with the articulating lens barrel allowing you to take high angle shots by swiveling the body as you held it overhead.  But, it was a digicam (upscale point and shoot) camera.  I would eventual learn a lesson…read on.

Sony DSC-F505

Sony DSC-F505

The camera worked great, but I always looked for an upgrade path.  So, when the DSC-505V came out, guess who had to have it?  Aha.  The F505V looked identical to the F505.  If I recall correctly, it had more pixels.

Sony went through a series of upgrades to this camera concept.  They were the DSC-F707, the DSC-F717 and finally, the DSC-F828.  Guess who bought all of them.  Aha.

Sony DSC-F707

Sony DSC-F707

Sony DSC-F717

Sony DSC-F717

Sony DSC-F828

Sony DSC-F828

One day I had a revelation.  It was as if I awoke from an extraordinarily long dream.  I stepped back and looked at the landscape.  Not the landscape in my viewfinder mind you.  The landscape I was referring to was where I was stadning in terms of my equipment and the limitations it placed on me.  I went from an SLR to a series of pimped up point and shoots!  What was I thinking?

At that moment, I made a paradigm shift to move into a DSLR.  It was 2002 and my goal was clear.  I wanted the biggest, baddest DSLR on the market.  The problem was my budget.  I couldn’t afford it.  Luckily, through a friend, I was referred to a small boutique photography dealer in NYC.  The shop is www.photovillage.com.  I made a visit and he had a used Canon 1Ds Mark I in the case.  After I cleaned up the drool on the counter, I asked “How much?”.  When I opened my eyes, I saw the paramedics huddled around me.  They were just about to yell “Clear!”  LOL  OK, I exaggerated a bit there.  The price was steep (about half of the new price) but I knew I had to do it.  I found a way, along with a Canon EF24-70mm f2.8 L lens.  And…..we’re off to see the wizard, the wonderful wizard of oz!!

Over the next few years, I scrimped and saved and increased my lens arsenal.  I bought some new, some used, but always “L glass”, including a 600mm at one point!  “Investments in my future.”, I kept saying to myself.  Eventually, I sold the 1Ds and moved up to the 1Ds Mark II.

Canon 1Ds Mark II

Canon 1Ds Mark II

I recently upgraded again to the Canon 1Ds Mark III and still have and use my Mark II as my backup camera.

Canon 1Ds Mark III
Canon 1Ds Mark III

I have also followed a similar upgrade path with my lighting gear as well.  What started as one Canon 550EX Speedlite, has transitioned through multiple Speedlites, multiple Alien Bees and, as the dust has finally settled, grown to be a complete set of Profoto studio generators, battery packs and strobes.  Phew.

All this talk has been about gear.  Why?  To make a very profound point that has taken me this long to realize.  I can sum it up it one word………..”Tools”.
Your gear is just a set of tools to aid in the realization of your creativity.  I started from a technical background, interested in the technical aspects of photography, all the while being very gear conscious.  These days, the gear is transparent to me.  My ability to exercise the creative side of my brain is far more fulfilling.  Coming up with a creative concept, working out the details, seeing it through, and having the knowledge to implement it properly is so gratifying, that all the gear talk in the world pales in comparison to a mere sentence relating to a stellar concept soon to be realized.